Showing posts with label Gail Carson Levine. Show all posts
Showing posts with label Gail Carson Levine. Show all posts

Wednesday, February 25, 2015

Middle Grade Dreams 2015

Don't miss the buzz at SLJ's Teen Librarian Toolbox.
How is that middle grade novel coming?  Did you promise yourself this would be the year you'd write it? Have you plotted, researched, or drafted anything yet?

Deafening silence?

If you are serious about putting that book on paper, here are some resources to light the motivational fires.



CHAPTER BOOK CHALLENGE
March means another ChaBooCha is on its way. Join this dedicated group of authors who'll support you through 31 days of drafting your manuscript, start to finish. Writing tips, inspiration, and giveaways are the icing on top.
This year young authors can be eligible for giveaways by signing up for ChaBooCha Jr.


WRITING WORKSHOPS
If you live in the northeast United States, visit the historic Moland House for a day of writing and critiques with Debbie Dadey, Kay Winter, and Marie Lamba, at the Spring Into Writing Workshop.

You may know Nancy I. Sanders from her free online non-fiction tutorials. Nancy is a working author with useful tips on how to start a project and finish it, with the focus on making a living as a writer.
She has an audio workshop available, titled Writing A Middle Grade Novel in ONE Month.


READ READ READ
Nothing motivates me to sit and write like reading.
Win a copy of Jennifer Jacobson's Paper Things From The Mixed-Up Files of Middle-Grade Authors, or enter the Tricia Springstubb's Moonpenny Island giveaway on The Write Stuff.
A Fantastical Librarian has generously gathered highly anticipated MG for 2015. Ask your local librarian for more suggestions or pick up one of my recent favorites.

Savvy, by Ingrid Law
Hope Was Here,
by Joan Bauer
Liar & Spy,
by Rebecca Stead
The Mouse With the
Question Mark Tail
,
by Richard Peck

GETTING STARTED
Still don't know where to start?
Gather ideas with Gail Carson Levine's Writing Magic.
Use Shannon Abercrombie's 21 writing prompts from Start the Year Off Write.
Zero in on a killer plot with the Paper Lantern Lit video series.
Learn 4 keys to making the manuscript "un-put-down-able" on Writers Digest.
Revise your current work with Janice Hardy on Fiction University.


If you are more of a picture book person, don't miss last Wednesday's post, Picture Book Goals 2015.

Monday, November 25, 2013

Our Songs Will Be Heard

"We who continue to be creative - we who battle that chatter - are heroes. Our stories will get written and told, our paintings will be seen, our songs will be heard."

-Gail Carson Levine



Bookplate of author, Fernando Rivero de Andrea

Tuesday, January 29, 2013

PBDummy Step 2.1

Not yet a participant?  Here's more info.
How are the picture book manuscripts coming?  Still having trouble?  Stuck in the middle?  Finished but unsure?

Since we in the unofficial PBDummy Challenge have a virtual critique group, I thought this would be a good time to offer some advice I routinely give or receive in my real-life crit group.

If you are struggling to get a first draft written:
Just get it down on paper!  Don't self-edit as you go.  More often than not, it's just your loud-mouthed inner critic shooting you down.  As Anne Lamott says, give yourself permission to write junk.  Worry about editing in a later draft.

If you are stuck in the middle:
See Above.  Also try some stream of consciousness writing.  Don't worry if it's in the wrong voice or even if it's really part of the story.  Maybe you have to write "I'm stuck and I can't think of anything!"  Just get something down on paper and eventually your story will resurface.  You can throw away all the in-between junk later.  As Gail Carson Levine says,  letting your thoughts wander (on paper) can "prime the pump" so your ideas begin to flow.

If you are finished, but unsure:
Try some or all of the following.
1. Do a word count.  If you are like most writers, it's way over the 500 word average.  One of my critique partners always says, cut your word count to 1/3, no matter what.  That way it is stripped to the barest essentials.  Then for the third (or is this the fourth) draft, you can add the really sparkly bits back in.

2. Break your text into spreads.  This helps you get a feel for the rhythm, for where the text is wordy or where it needs something more.

3. My stories always get too grown-up, so I use this exercise.  I rewrite my story for a younger audience.  Then I rewrite it again for an even younger one.  This is like cutting your word count without the bruising.  And my writing is always better for it.

4. I sometimes wait a few days, then rewrite the story completely without looking at the previous drafts.  I have had the most marvelous "happy accidents" with this method.  It often uncovers flaws and solves problems unconsciously.

5. Look at the space between.  This relates to the way the story flows.  Think about page turns and breaths.  Read your work out loud.  Slowly.  Imagine you are reading to a child.  Imagine a specific child.  Better yet, find some children.  You will know immediately where the story drags, the language drones, or the rhyme flops.


Courtesy Greg Matusic
If all else fails:
Maybe you just aren't passionate about this idea.  It's okay to change.  Read back through your list of ideas. Does one make you smile?  Laugh out loud?  Is there one that makes you want to run for pen and paper?  Then go with it.  Try a first and second draft.  You still have at least two weeks to develop a decent manuscript.  There'll be plenty of time for additional revisions during your storyboarding.  If you are considering this option, read Greg Matusic's success story from a previous challenge.


How are you faring?  What are you struggling with?