Interview with Marcie Colleen, Ask the Educational Consultant Blog Hop

Courtesy thisismarciecolleen.com

We are so honored to be a participant in the
Ask the Educational Consultant Blog Hop.
Writer and educator Marcie Colleen is here to answer a few questions of specific interest to picture book writers.

• Marcie is Picture Book Month’s Education Consultant. 
• She is an experienced teacher, curriculum creator, and writer. 
• As a Blogette, Marcie contributes to The Picture Book Academy's Fourth Fridays, posting on humor in picture books. 
• She has created over a dozen teacher's guides for other published authors.
• You can follow her on Twitter, or on The Write Routine, where she chronicles her journey as a children's book writer.
• Marcie has created the superlative "Why Picture Books Belong in Our Classrooms."
• She is represented by Susan Hawk of The Bent Agency.
• If that wasn't enough, Marcie trains as a marathon runner.

And now, let's
ASK THE EDUCATIONAL CONSULTANT

1. Most how-to books don't include writing educational content. Which resources do you recommend for writers who want to learn to create teacher's guides and other supplemental materials for their books?

 The very first resource an author should turn to is the actual book. Chances are, up until this point, the author has only looked at their story through the lens of a storyteller. However, in order to create supplemental materials, the author will have to look at their book through a teacher’s eyes. Here are a few steps to help with that process:

• Read carefully through the book, taking note of all themes/issues/elements that would be interesting to a classroom. Leave nothing unturned. Carefully scrutinize the setting, characters, and plot to uncover the hidden academic value in the story.
• Take the extracted elements from the story and flesh them out through research. For example, if the story’s main character is a penguin living in Antarctica. Research penguins (their personalities, interactions with other penguins, daily life, living conditions, etc). And research the Antarctic (climate, living organisms, map study, etc.) How does the personality and actions of the penguin in the story compare or contrast to penguins in the natural world? How about personalities, interactions with other penguins, daily life, living conditions, etc). And research the setting? These are wonderful jumping off points for students to further study the book and learn fact from fiction, while also learning about geography, habitat and penguins. 
• Reference the Picture Book Month’s Teacher’s Guide: Why Picture Books Belong in Our Classrooms. Even though I created it, I have found myself using it as a resource! Not only does it provide several classroom activities that can be tailored for any book, it also aids in knowledge of what ELA, Math, Science and Social Studies mean. With this information it is easier to find where a story fits in.

It is time-consuming, however can be a lot of fun to create these materials for your books. My suggestion would be to create a few simple activities and not to get bogged down with a full cross-curricular guide, unless education is in your background and a passion of yours. Other resources can be the School & Library Markets department at your publisher, as well as freelancers like myself who provide such services or consultations.

I am looking to launch a consultation service in 2014 for those who wish to save money and create the materials themselves. I also look to offer workshops and webinars to help authors in this way. If anyone is interested in either of these services, please email me at marciecolleen@gmail.com.

2. More publishers are looking for authors with marketing ideas. When querying, should you include information on how your manuscript fits in the classroom, to show editors you've done your CCCS homework?

In my opinion…and this is purely MY OPINION…is no. Just as a good teacher will be able to look at your book and immediately find value to bring to his/her classroom, a good editor knows what makes a good book…and whether or not it “teaches any lessons” is not important at that point to a traditional publisher (educational publishers are a different thing altogether). Regardless of CCSS (Common Core State Standards) or other state mandated learning standards, the story must be good. An editor will be able to detect whether it has what it takes. 

Also, keep in mind that editors are editors. They are not educators. Therefore, for some of them the CCSS is confusing and sounds like a foreign language. Do not weigh down your query with a lot of gobbly-gook that they might not understand. What a turn off that would be! Perhaps this is also when an agent would be handy because they would know which editors were CCSS savvy. 

Once your book goes to Acquisitions, the Marketing and School & Library Departments will probably discuss CCSS and other potential for that market, but again, it is their job to be able to see these qualities within your book. It is not your job. You are a storyteller. 

Now non-fiction is different. But for a fiction picture book, the focus must be on the story, not on its academic value.

3. How do you convince schools to book author visits in this climate of economic cutbacks?

Many authors do create classroom materials or hire a professional to write a Teacher’s Guide for the sole purpose of marketing. It does give you a bigger chance of booking if you can provide such items. However, the reality is that money is tight all around. I would suggest providing a variety of opportunities at different price points (Author Visit, Assembly Speech, Skype chat, etc.) Provide a Teacher’s Guide online for free download. This will at least help get teachers interested in using your book in the classroom. And most importantly, be accessible. Create relationships and you will become the author teachers think of first when booking visits.

4. If you have considered Skype visits, what should schools do differently to prepare and get the most out of your visit?

Skype visits can be an excellent economical alternative. Although not as hands-on as a classroom visit, students can benefit greatly from these conversations. Skills in question-writing and asking, listening, and oral presentation are so important and can be highlighted in preparation for a Skype visit. 

After reading the author’s book(s), teachers should work with students to develop questions and the skills to present these questions. Note taking during the Skype visit can also lead to post-visit writing activities, such as journalistic reports, response essays or thank you letters.

5. In one interview, you mentioned you'd taught a Children's Literature course which was basically a course in writing teacher's guides.  Do you have plans to offer it as an e-book or a writing workshop?

Yes! I would love to. At this point it is all just brainstorming. But definitely subscribe to my blog at www.thisismarciecolleen.com to be kept up to date on such events. I would be open to suggestions or opportunities anyone might have, so contact me and send them along! 

Thank-you for taking the time to share your insights. We look forward to making a greater impact on the educational community and long life to the picture book form.

Don't miss any of the other informative stops on her tour.

Lauri Meyers

Jean Reidy

Darshana Khiani

Joanne Roberts

Tina Cho, Nov 25

Julie Hedlund, Dec. 4

Ask the Educational Consultant Blog Hop

As part of Picture Book Month, Bookish Ambition will be hosting writer and educator, Marcie Colleen, on Wednesday, November 20. The post will be part of Marcie's Ask the Educational Consultant Blog Hop.

Marcie is the new Education Consultant for Picture Book Month and has been featured in a PiBoIdMo guest post. She has written a comprehensive Teacher's Guide, which shows teachers the value of picture books across the curriculum to meet Common Core Standards and to inspire students from K-12.

Marcie also blogs about
humor in picture books
at The Picture Book Academy

So mark your calendar for next Wednesday, and in the mean time visit the other stops on her tour.

Lauri Meyers, Nov 7

Jean Reidy, Nov 11

Darshana Khiani, Nov. 13

Joanne Roberts, Nov. 20

Tina Cho, Nov 25

Julie Hedlund, Dec. 4

What Nobody Tells You

For all of us who are in the state of becoming, watch this encouraging tidbit posted on Leen Christens's blog.  It is a video excerpted from an interview with radio personality Ira Glass. It might be just what you need to keep moving forward.

Thanks, Leen!

Babybug Illustrator Interviews

Babybug, from the Cricket Magazine Group, is full of wonderful art and ideas.  But who knew Babybug's blog is too?  Illustrator Carolyn Flores did!  She introduced me to the monthly illustrator interview.  Each month, Babybug blog delves into the creative process of their cover artists.

Babybug, March 2013

The March issue of the magazine features some colorful mice by artist Laura Susan Thomas.  Incidentally, this issue also contains a poem  beautifully illustrated by Bookish Ambition fan favorite Beth Bogert.  Grab a copy to share with your favorite toddler.
Thanks Carolyn!

Beth Bogert,
Illustrator

Canta, Rana, Canta,
 illustrations by Carolyn Dee Flores

Art by Laura Susan Thomas for Ladybug Magazine

Advice from Greg Pizzoli

"Make a ton of work. 

If you keep making stuff, and don’t obsess over failures, 

you’ll end up getting better. 

It’s inevitable if you make enough."

Greg Pizzoli's first picture book
The Watermelon Seed

Illustrator Greg Pizzoli's book, The Watermelon Seed, is set for a May 2013 release. I wasn't familiar with his work before, but Greg's graphic style appeals to my love of printmaking. I clipped this bit of advice from Juana Martinez-Neal's November interview.

Make stuff.  It sounds obvious, but is invaluable to those of us who become paralyzed by our inner critic.  Make stuff.  Terrible stuff.  It's okay.  In fact, it's often necessary.
An illustrator friend swears by her practice of drawing on cheap printer paper because it has a low-pressure, disposable vibe.  The same goes for painting.  Many artists feel a sense of freedom from painting on a printout of their original sketches, knowing they can print it again if the watercolor goes awry.  I suppose many digital artists must feel that way too.

This Green Dragon print
has an Ed Emberley quality
in the best sense.

"Don't obsess over failures."  Easy to say, but it is often a fight for me to move forward.  It comes down to a definition of failure, doesn't it?  I never think my children's projects are failures.  So why do I judge my own work that way?

What tricks do you use to keep moving, to conquer fear, to discipline your artistic life?

Nice Cream print,
available on Etsy

Thank-yous to Juana Martinez-Neal whose work I love, love, LOVE.

Authors Behind-the-Scenes Secrets

This would make a great studio.

Do you love finding out how an author thinks?  How they plan?  Where they feel most creative?
Jennifer Bertman does.  Her blog From The Mixed-Up Files of Jennifer Bertman features author interviews and exclusive peeks at their creative workspaces. You'll find plenty of tips successful writers use everyday to organize, inspire, and motivate themselves.
Jenn herself offers some valuable tips for creating believable characters in today's Valentine's Day post.

tiny writer's retreat

Here are a few photos to encourage you to build your own creative space.

DIY: closet converted to flat files

Do you have a ritual that helps you focus on the business of writing?  What's unique about your workspace and why does it work for you?

Comment or email me.  I'd love to share what you've learned.